“Flowers for the Virgin” and “Watertown” // 32 Poems (Volume 18, No. 1, Spring/Summer 2020) [print]
“Soon Enough” // Pedestal (86.2, Summer 2020)
“Reading Szymborska under a Harvest Moon” // Michigan Quarterly Review (Issue 59:3, Summer 2020) [print]
“Clam Diggers” // Prime Number Magazine (Issue 179, July-September 2020)
“Dear Dr. Park, it’s June again” // Anesthesiology (Volume 133, No. 2, August 2020) [print]; appeared online March 2, 2020
“No Names” // Thrush (May 2020)
“Epithalamion with Missing Groom” // Cave Wall (Number 16, Winter 2019/Spring 2020) [print]
“Questions about Bisexuals, #2” // Contemporary Verse 2 (Volume 42, Issue 4, Spring/Printemps 2020) [print]
“Eve and Johnny Appleseed Sift Through Ohio Pomace” “Eve Visits the Aquarium Where a Green Anaconda Has Just Given Birth via Parthenogenesis” and “Eve Makes a Target for William Tell” // Cagibi (Issue 10, April 2020)
“Somewhere a shark” and “In Your Copy of Akhmatova’s Poems” // Sugar House Review (Vol. 11, 2019) [print]
“Saint Agnes Meets a Hawk on the River’s Edge” // The Shore (Issue 4, Winter 2019)
“The Glass Museum” // The Comstock Review (Volume 33, Issue 2, Fall/Winter 2019) [print]
“Argent” and “Track Listing: 2008” // Figure 1 (Issue 3.c, December 2019)
“Suite: Anna Votova” // The Cincinnati Review (Volume 16, Number 2, Fall 2019) [print]
“Self-Portrait as Cedar Chest” // Cutbank Online (All Accounts & Mixture, November 2019)
“Rhododendrons” // The Worcester Review (Volume 40, Nos. 1 & 2, 2019) [print] *Winner of the Frank O’Hara Prize, selected by Rachel McKibbens*
“April Ghazal” // Nightjar (Issue 7, September 2019)
“Trivia” // The Fiddlehead (No. 281, Autumn 2019) [print]
“At Montezuma National Wildlife Refuge” and “To a friend offended when I text her instead of calling” // Peauxdunque Review (Issue 2, 2019) [print]
“The Anchorite to Rising Seas” // Beloit Poetry Journal (Volume 69, Number 4, Fall 2019) [print]
“Skin” // Sixth Finch (Summer 2019)
“At the Dead Mothers Motel” // Gingerbread House 37 (July 2019)
“Tornado Drill, St. Gregory the Great” // Iron Horse Literary Review (Volume 21, Issue 2, 2019) [print]
“Crohn’s Disease” // The Comstock Review (Volume 33, Issue 1, Spring/Summer 2019) [print]
“Regression” // Animal (June 2019)
“Coming Back from the Wedding” // Equinox (Volume 2, June 2019)
“n miles from Wall Drug” // Pasque Petals (Volume 90:4, Spring 2019) [print]
“The Eider Keepers” // Southern Indiana Review (Volume 26, Number 1, Spring 2019) [print]
“Lazarus Season” // The Maine Review (Issue 5.1, Spring 2019) [print]
“The Sleepers” // Alexandria Quarterly (Volume 5, Spring 2019)
“Spectral Evidence” // sidereal magazine (Issue 5, May 2019)
“St. Jude, We Need to Talk About America” // The Thing Itself (Issue 46, Spring 2019)
“To the man who tried to grab my face through the car’s open window” // JuxtaProse (Volume 19, March 2019) *Honorable Mention, JuxtaProse Poetry Prize*
“The Horse I Would Have Chosen” // Glass: A Journal of Poetry (January 2019)
“Dead Reckoning”* and “Geography Lessons” // FIELD 99 (Fall 2018) [print] *”Dead Reckoning” featured as Mass Poetry’s Poem of the Moment, January 2020
“Nine Minutes in June” // The Louisville Review (Issue 84, Fall 2018) [print] *Winner of the Writer’s Block Prize in Poetry, selected by Maggie Smith*
“Hymn in My Sickness” // Rogue Agent (Issue 44, November 2018) *Nominated for a Pushcart Prize*
“Lilacs” // Off the Coast (Winter 2018)
“Horse Latitudes” // The Baltimore Review (Fall 2018)
“Interlopers” // MAYDAY (Issue 13, Summer 2018)
“The Sphinx” // America (August 9, 2018; Vol. 219, Num. 4, August 20, 2018 [print])
“Cleopatra in the Flesh” // Southword: New International Writing (35, August 2018) [print]
“Elementary” // Lunch Ticket (Issue 13, Summer/Fall 2018)
“Midlife” // The Shallow Ends (June 14, 2018)
“Old War Machine” // The Rush (Issue 4, June 2018)
“Mother’s Aubade” and “Playroom Canticle” // Tar River Poetry (Volume 57, Number 2, Spring 2018) [print]
“Enceladus Considers Cassini” // The Greensboro Review (Spring 2018, Number 103) [print]
“How the Moose Mourn Their Dead” and “Spring Triptych” // Virga Issue 3 (Spring 2018)
“John Donne and Leonard Cohen at the End of the World” // Booth (February 9, 2018; Print Issue 12, Spring 2018)
“The Bus Driver” and “Dear Fox Who Patrols Our Yard at Night” // Gravel (February 2018)
“Love Poem with Fiddlehead Ferns” // Calamus Journal Issue 14 (January 1, 2018)
“Saint Ursula Advises Emily Dickinson” // Gulf Stream Issue 19 (December 2017)
“Prayer” // Frontier Poetry (November 10, 2017)
“Bridges in Winter” // The Worcester Review (Volume 38, Nos. 1 &2, Fall 2017) [print]
“Pneumonia” // Cumberland River Review (6.3, July 2017); *Nominated for Best of the Net*; anthologized in The Cumberland River Review: The First Five Years
“Leap Day” // Intima: A Journal of Narrative Medicine (Spring 2017)
“Election” // Scoundrel Time (February 27, 2017)
“Home” and “Midsummer” // Free State Review (Issue 7, 2017) [print]
“Camp Stories” // Constellations (Volume 6: Interference, Fall 2016)
“Iphigenia Leaving Tauris” // America (Vol. 215, Issue 16, November 14, 2016) [print]
“Shift” // Bird’s Thumb (Summer 2016 Flash Issue)
“Catherine of Aragon Addresses the Stones” // Hermeneutic Chaos (Issue 12, January 2016) *Jane Lumley Prize 2015 Honorable Mention*
Critical Prose
October 2020: 32 Poems Contributor’s Marginalia, “Letter to Jane Zwart”
January 2019: Review of Mary Oliver’s Devotions: New and Selected Poems in America
Selected Readings
5 Under 35, Mass Poetry: Boston, MA (2019)
Frank O’Hara Prize Winners Reading, Worcester County Poetry Association: Worcester, MA (2019)
Writer’s Block Festival, Louisville Literary Arts: Louisville, KY (2018)